![]() Though the movie adaptation does touch on Jack’s struggles with alcohol, it doesn’t dive into the significance of addiction on his deterioration in the same way the novel does. In the film, however, Jack feels slightly unhinged from the very start. But that changes when he’s possessed by the darkness and evil lurking within the Overlook’s halls, an unspeakable wickedness that drives him to the brink of absolute madness. After he’s given the opportunity to recover, get sober, and bond with his family at the Overlook Hotel with a position as the winter caretaker, Jack is hopeful that he can repair these familial relationships and break the cycle of abuse and anger that began with his own father. ![]() He lost his job as an educator after he physically assaulted a student in a flare of temper exacerbated by his struggles with alcoholism. He adores his wife and son, but while struggling with his own demons, his ability to demonstrate this love sometimes falters. In the novel, Jack is an incredibly sympathetic character. It was this aspect that King disputed in particular-notably, the portrayals of Jack and Wendy, and the Torrance family’s tensions. Perhaps one of the most significant differences between King and Kubrick’s versions of The Shining lies in characterization. ![]() Warning: The following article contains spoilers for The Shining. So what exactly are the differences between The Shining movie and the novel on which it was based? Kubrick rejected the Stephen King's initial treatment of the screenplay, and The Shining's author was largely dissatisfied with his novel’s jump to the big screen. Yet despite being a pillar of the genre, The Shining is not the most faithful page-to-screen adaptation. With the critically acclaimed performance of Jack Nicholson in the lead role and the signature style of a creative generally considered to be one of the best in cinematic history, the ever-memorable and oft-quoted film is a staple for many horror buffs. When The Shining was adapted by filmmaker Stanley Kubrick in 1980, the story took on another life entirely. Following a disgraced teacher turned playwright and hotel groundskeeper named Jack Torrance his depressed but resilient wife, homemaker Wendy and their kind yet skittish and somewhat peculiar young son Danny, the novel paints the tumult of a dysfunctional family’s dynamics against the backdrop of a grim and unforgiving setting. But it’s so, so much more than your classic story of spirits and a man’s descent into madness-it’s also a tender yet deeply painful meditation on addiction, family, abuse, and redemption. That is one of the greatest terraces overlooking the lagoon in all of Venice.Set in the claustrophobia-inducing snow-covered peaks of an isolated hotel in the middle of the Rockies, The Shining is a classic work of psychological horror that’s just about as chilling as it gets. In Venice, we used the exterior of the Hotel Danieli, as well as its terrace, where they have breakfast. It has a beautiful marble lion at the base of its stairwell in the entry. That hotel actually doubles for the interiors of the hotel in Venice, which was the Hotel Danieli but which we call the Palazzo Mardini. We shot at the Grand Plaza Hotel in Rome, which had been closed during Covid and was just about to open back up. The characters stay in some amazing hotels. ![]() We were trying to figure out if we would actually go to Tuscany for the wedding, but then we saw this place. You can’t find anything in America with that kind of history.įor the wedding scene -spoiler alert, there is a wedding-we used Castello della Castelluccia, which is also just outside Rome. It was outside of the city center and just incredible. We shot in a few incredible villas, including Villa Parisi, where we filmed the scene with the wedding dress maker. When we scouted we thought, “Gosh I hope we can shoot here.” And our production team managed to pull it off. We shot at the Musei Capitolini, which looks out over the Roman Forum. Right off that, we used Piazza San Simeone, where we created our own little piazza cafe. We shot on a street called Via dei Coronari, which is a popular tourist street.
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